digital story - darryl

I was trying something far too ambitious with this and, thus, it doesn't really work for this assignment. I 'll try something different over/after break, but I put a lot of work into this, so this is what you get for now: [edit: the sound sliders wouldn't work on the initial version, so let's try this one!] https://www.wevideo.com/view/2602309192

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Revised Digital Story - Thelma

https://vimeo.com/695272441

Corrine Contemplates the Funk

I will keep my intro brief, as I think I will mainly just be echoing my classmates, but what a delicious book! I have really be enjoying reading two great minds converse through "the mundane to the profound" (2). Gilroy mentions in his introduction that "readers...are invited to appreciate the tone and timbre of these interlocked voices in the same spirit with which the participants listened carefully to each other" (x). I was reminded of this early in the reading, through hooks and Hall's mediations on conversation as pedagogy, especially Hall's comments on page 7: "It is as much about rhythm as anything else. If you are living the rest of your life at a certain intensified rhythm, it just doesn't fit the rhythm of conversation. You can't hurry." This seems to be compounded for academic readers by their reflections on how being "paid to talk" or teach in the academy changes the status of talking or teaching. My question then rev...

Let us take...(a darryl moton)

As I read these articles and interviews, one thought repeats on an endless loop in my brain: "I need to read more." Having read very little Baudrillard, a little more Gramsci, but virtually no Habermas, Lyotard, or many of the other names Hall casually cites (not drops, not invokes, but cites-- in an interview ), I spend more time reserving books to check out for context than I do reading the main text. I'm drawn to Hall's remark on the "collapse of the French Intelligentsia during the [1980s-mid-1990s]," in which he talks about how Baudrillard et al were quick to declare "when and for whom history ends, how the masses can or cannot be represented, when they are or not a real historical force," and so on, largely because of what we're witnessing in Eastern Europe vis-a-vis the USA/Russian stand-off. In 2003, as Iraq War 2: Halliburton Boogaloo jumped off, I (somewhat melodramatically) called it the "Death of America," by which I simp...

Stuart Hall 2022 Seminar

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