Hall talks about a second phase of black cultural politics that focuses on representation itself. There is a recognition that there is an extraordinary diversity of subject positions, and thus there is no essential black subject. Hall talks about films during his time which succeed in portraying the complexities of the black experience, such as My Beautiful Launderette. Can we think of more contemporary films that do this work of “refusing to represent the black experience as monolithic, self-contained, sexually stabilized and always ‘right-on?’”
-Daisy
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