Lost Father Patriarchy & other masculinities - Thelma

 In the beginning of their dialogue, Hall and hooks discuss the tension(s) of the feminist rupture in cultural studies and how it was misunderstood at the beginning of its formation. hooks explains many Black women intellectuals were too intimidated to engage in a feminist critique with their male counterparts because of their shared race. While on the other hand, some Black male intellectuals were reluctant to having their work transformed by feminist thinking. Although both Hall and hooks suggest that the hostility and initial resistance to the feminist rupture has already been forgotten, how do feminist or cultural studies continue to resist Black feminism today? 

I am also interested in the idea of the lost father patriarchy and hooks’s theory that Black masculinity is confined to heterosexist paradigms because of its “overwhelming fear of homosexuality” (26). Beyond feminist and queer studies, are there any other theoretical paradigms for examining the expression of Black masculinities? Does the idea of “toxic masculinity” further confine these expressions into heterosexist paradigms? 

We can also discuss the limitations of “toxic masculinity” in the context of a recent event: Will Smith’s response to Chris Rock’s misogynoir and ableism. A lot of viewers have labeled and dismissed Smith’s defense of Jada as toxic masculinity - a reaction primarily rooted in white feminism, carceral logics, and anti-Blackness. How do we, as intellectuals, respond to an event like this (if at all)? This is already too long (sorry), but I was surprised that Nikole Hannah-Jones referred to this moment as an "assault" and called Jada's chronic illness into question, asking "How is hair loss a disability specifically?" (she deleted this tweet already). I'm in no position to judge Hannah-Jones's response, but I think it does suggest that there are still some contingencies to bridging the gap between race and feminism in public discourse.