Skip to main content

Uncut Funk Part 2_Escatel

Hi everyone,

I am posting twice (I missed last week's post). 

The vulnerability with which Hall and hooks speak is inspiring. It displays a very human component to conversational exchange but also demonstrates a journey of growth for both of them. In one instance, hooks unpacks a public statement she made about Oprah and the backlash she received. She has this to say about it, "That is part of what has led to a certain kind of collapse with feminism, this desire to restrict the boundaries of how we talk about certain things, a certain kind of overlay of heavy-handed political correctness." (12) Reflecting on the topic of political correctness, how can policing what we say and how we say it a form of policing vulnerable conversations such as these? What does the turn to cancel culture in the context of PC politics doing? How is this not the work we should be putting our energy in? How can we have a more human approach to human error?

Later on in Hall and hooks conversation, they unpack the messiness of desire, reproduction, sexual jealousy, and monogamy. hooks points to androgyny as a politic of the self that allows one to gender bend and be our own whole selves for the love our ourselves as we are for the exploration of desires (starts p.73). Why do you think it is so difficult for academicians to talk about/write about desire? How does an exploration of desire hold potential for a sort of self-reflexive journey to becoming our whole selves?

Comments

Popular posts from this blog

Addressing the Crisis: Your Collective Digital Stories

https://www.wevideo.com/view/2668669034    https://www.wevideo.com/view/2665696438  https://vimeo.com/695272441  https://www.youtube.com/embed/BN2wDbBLMWo https://drive.google.com/file/d/1pggTZblBzhQ5Nd6d8MU7jg28kBV0WixT https://www.wevideo.com/view/2648072657  https://drive.google.com/file/d/1tUBup-RbbiCCl9-pWoOCvs2JFbUJYvhC/ https://drive.google.com/file/d/1Eed6_fpya8WOfEb0Hjhd4jySuMgi8fI0/

On Journals and Prose

My two questions from this week have emerged from the Judith Butler piece, A 'Bad Writer' Bites Back , both centered around the journal, Philosophy and Literature —which Butler describes as the self-proclaimed “arbiter of good prose.”  I agree with Butler’s staunch defense of questioning common sense and provoking “new ways of looking at a familiar world”, and was reminded of David Harvey’s quote in the introduction to his Companion to Marx’s Capital : “Real learning always entails a struggle to understand the unknown.”   Butler describes Philosophy and Literature as a “culturally conservative academic journal” which naturally led me down a longer-than-anticipated visit to the journal's website . I was greeted with a video presented by the Philosophy and Literature’s editor Garry L. Hagberg, who rails against the “jargon infested” work that litters the journal’s field, locating Philosophy and Literature in clear opposition to such bothersome clutter.  However, Hagberg...